- #Kontakt guitar full version#
- #Kontakt guitar free#
#Kontakt guitar free#
The Decent Sampler version works with the free Decent Samples player plugin.The SFZ version tested with Plogue Sforzando.
#Kontakt guitar full version#
The Kontakt version is compatible with the full version of Native Instruments Kontakt 5.3.1 (or later). The Kontakt version requires the full version of Kontakt 5.3.1 or later. And now – finally – this versatile combo has been sampled and turned into a Kontakt instrument. For the past ten years, we’ve used this combination on countless rock songs, film cues, and instrumental pieces. And this Music Man Sixty-Five tube amp is our favorite guitar amp. The EQs have wide Qs for a musical, soft attenuation or enhancement effect.This Fender Jazzmaster is without a doubt our favorite electric guitar. Length: Controls the size of the reverb – both early reflections (ER) and late reflections (LR) are adjusted with this control.Ĭontrols gain of low, mid and high bands of a parametric EQ. The reverb is a modelled Lexicon 480 digital reverb unit with a long hall setting (9.0s). Reverb: Controls the amount of reverb return. 2019 Guitar Drum and Bass Sample Libraries For Native Instruments Kontakt, Logic Pro, Garageband, Protools, Cubase, Loops VST Plugins. The possible range is from 1 8th to 12 8ths. The delay is tempo-synced, with 8ths/quavers as the base unit. Time: Controls the time of the delay intervals. Delay: Controls the amount of delay return. Nevertheless, you can use it to sweep through the frequency spectrum up to a very narrow high band. We’ve opted for a fairly wide BP filter with smooth curves for a natural, warm sound. BP Filter Freq(uency): Controls the centre of the Bandpass filter. At the higher end of the control you will hear tape compression kicking in – this stops the levels going all out of proportion. Distortion: Regulates the amount of saturation/distortion. Distortion toggle button: Turns Tape distortion/saturation on and off. The effects section contains controls for Distortion, BP (Bandpass) Filter, Delay and Reverb. We recommend automating this or controlling it via MIDI CC (modwheel etc) as this gives you maximum expressivity during playing. Jazz Guitar and Rock Guitar are part of the Band collection of 13 KONTAKT libraries (which also includes basses, drums, keys and more), and both share a common scripted interface that enables adjustment of tuning and velocity response, as well as randomization of volume, velocity, pan and pitch. X-FADE: This fader allows you to transition between the main layers A and B. Choose one group only for a simple, thin sound, or dial them all in for a full, organ-like multi-octave spread. This section allows for volume control of each of the octave groups. 
It sounds real because its real 79.00 - BUY NOW Realistic guitar strums for Kontakt Strum Guitar is a collection of four guitars where all strums were sampled both up and down stroke. Real strumming patterns with built-in chord recognizer and sequencer. Although Guitar Sessions is available as a 5.8GB collection of WAV, REX and Apple Loops files, in this review we are looking at the Kontakt version.
OCTAVES: Each layer (A, B) contains three octaves, each within their own Kontakt group and with subtle individual differences, such as different recording takes, pitch shift variations etc. Collection of 4 guitars for Kontakt that play authentic strums. Low settings equal speeds of ~300ms, while higher settings result in a morphing speed of around 9 seconds. Speed: Controls the speed of the morphing from the base layers to the target layers. This can be controlled for A and B separately. Amount: This controls how much the base layers morph into the target layers. The engine is configured to modulate from the base sublayers of layer A and layer B to their target sublayers over time. MORPHING: This section controls the morphing parameters of the engine. It contains two layers, A and B, each of which in turn contains a base sublayer and a target sublayer, i.e. 
Much of the appeal of our CLOUDS engine derives from how it generates movement between different sample sources and groups. Kontakt InstrumentīOWED GUITAR CLOUDS is a one-page Kontakt instrument designed for ease of use and immediate results. Other controls include distortion, BP filter, delay and reverb as well as three-band parametric EQ.
The instrument has a simple GUI allowing for controls for the morphing within each layer (A and B) as well as adjustment of balance between these layers. It is based on recordings of bowed guitars including a semi-acoustic bass, a Portuguese steel-string ukulele and a hollowbody electric guitar.īOWED GUITAR CLOUDS makes use of Kontakt’s AET Filter technology to seamlessly morph between layers of sound, both tonal and non-tonal.
BOWED GUITAR CLOUDS is a cinematic morphing pad instrument running in Kontakt 5.8 and above.
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